Free PDF What I Know 'Bout What I Know: The Musical Life of An Itinerant Banjo Player, by Butch Robins
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What I Know 'Bout What I Know: The Musical Life of An Itinerant Banjo Player, by Butch Robins
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"What I know 'Bout What I Know" is the autobiography of Butch Robins. Robins is an extraordinary banjo player who reviewers called a musical revolutionary as he expanded the musical boundaries of his chosen instrument. "What I Know" chronicles Butch's account of the inception, development and his contribution to the musical genre known as Blue Grass. Hailing from the mountains of Western North Carolina and Southwest Virginia, Robins' talent was nurtured by old tyme music icons including Snuffy Jenkins, Pappy Sherrill, Tommy Jarrell and Clark Kessinger. After a brief stint with "The Father of Blue Grass Music", Bill Monroe and time served in the military during the turbulent 60's, Robins takes his reader on a captivating musical journey. Relocating to Nashville and establishing himself as a studio musician, his wander lust took him on the road to work for a diverse spectrum of musical giants including Leon Russell and Harry James. Following inclusion in the genre changing Newgrass Revival as bassist, Robins rejoined Bill Monroe's group where he established himself as one of the premier masters of the 5-string banjo. Robins' story is a fascinating account of the life of a most unique student of music and of life itself.
- Sales Rank: #2177743 in Books
- Published on: 2003-08-11
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .81 pounds
- Binding: Paperback
- 240 pages
About the Author
Butch Robins is a critically acclaimed musician, recording artist, instructor and lecturer.�Described as a musical renegade non conformist, his career has covered many diverse bases, each attacked with a remarkable intensity that has yielded not only great music but many acute observations about music. He is an intense, serious person with philosopher's sensibilities about many subjects. His commitment to his work involves the outlook of a probing analyst, and exacting craftsman and, above all a passion for reaching for the highest values in life. In this work Robins was encouraged., coached, and assisted by author Pat J. Ahrens. Ms. Ahrens works as an advocate, historian and patron of folk arts and has been recognized by the South Carolina State Legislature.
Most helpful customer reviews
7 of 9 people found the following review helpful.
Great Insight Into the Mind of a Quintessential Banjo Player
By M. J. Keyes
I bought this book because at one time I barely knew Butch Robins and wanted to see what he had to say. I came away with a profound respect for him and a much greater understanding of the music he devoted his life to. And, Oh Yeah, I learned a lot about Bill Monroe, bluegrass music, and the hard life of a musician on the road.
Butch Robins is an exceptionally bright, driven, flawed human being who has managed to come to a peaceful resolution of his interesting (in the Chinese curse sense) life and this book is the product of that journey. I remember him as a talented and creative musician from whom music effortlessly flowed. He is that, of course, but is also a minor hero of mine after reading how he dealt with his demons.
I will be the first to admit that Butch is no Marcel Proust, but his writing is compelling and his (at times) stream of concsciousness approach to his biography grabbed me emotionally and helped me understand why I love the music so much.
If you are interested in one man's view on Bill Monroe, this is the best version of Monroe's character I have ever read. You have to read the whole book to get the complete picture as Butch is of several minds on the subject to say the least.
I will enjoy this book again after I examine my own feelings on growing up in the 60s and 70s, my love of bluegrass music, and the effects the honesty in this book.
MIke Keyes
mikeyes@charter.net
2 of 3 people found the following review helpful.
The Original Bluegrass Existentialist
By Karla
Well, okay Im not sure if this book is true existentialism, but it is a fascinating glimpse into a natural philosopher's "consming obsession to understand the nature of sound".
I was delighted when I discovered that Butch Robins had written this book. I never knew him personally, but when I was a teenager at Beanblossom I remember being on the edge of a conversation where he discoursed on Bill Monroe, Peter Rowan (whom he called "the original space cowboy") and zooming down the road listening to Eric Clapton while still channeling the ancient tones from the last set he played.
I was captivated, and always wished I could have hung around and gotten to know this incredible banjo player with the deep thoughts. This book has been that chance, and it is every bit as fascinating as I always thought it would be!
4 of 6 people found the following review helpful.
Butch knows what he knows
By Dan W. Proctor
The first professional job I had playing Bluegrass was with Charlie Moore way back in 1972 and Butch was his banjo picker.I can say without a doubt that what Butch says about Charlie is true right down the line.I found my self shaking my head yes to all the things I had experienced while working with Mr. Moore that Butch wrote about.A lot of people don't seem to like all he stuff about drinking,drugs and the flaws in their heros--truth be known Butch's book only scathes the surface of what you could write about many of the band learders and side men of professional music of whatever genre. Not all are that way,thats true,but many more than you may think. I had no problem with the way Butch writes nor was spelling a problem. The whole thing is the information he delivers. I was also glad to see that Butch has come a long way to burying his demons.I will be coming out within the next 18 months or so with my own book that will cover more of Charlie Moore as my time was 1772-74,78. Plus, there will be a lot about many other lesser bands, musicans and personal insights on Bluegrass in General.I am looking forward to reading Butch's new book.
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